Roula Vidali
Rehearsal
Rehearsal is a sound/video work which was presented the last day of a workshop related to Arduino process. The scene was filmed in the foyer area the moment a catering was about to be set up. The sound of the glasses was recorded and modified as the scene unfolded. The process makes the sound gradually non recognisable and rather uncanny. A different awareness of a middle space is been created.What we hear is not related to what we see and the 'on' and 'off 'of the projection (when the viewer is getting closer and the sensor is been activated) amplifies more the audio confusion
The concrete material has been worked to create different paths, directions and lines The deconstruction of the structural material started by the removal of a piece in the middle of the front side which created two different parts each of which is traced a line that either embodies its materiality or traces a superficial track. It is an attempt of tracing the facts or incidents, a route of different directions, a line that doesn't have a particular start or end
The work “drawing the sub-net” constitutes a part of “Vavel’s Tower installation. The recesses in the concrete material have been treated in such a way so as to suggest the idea of an inner network that appears petrified. Different routes and shapes are revealed as the outcome of the subterranean deconstruction of a distant network which is being surrounded by an outer circuit that seems to follow and trap the emerging one.The word subnet implies the practice that divides a network into two...
...or more different ones.The word is hyphenated and sub represents everything that functions to create communication codes and algorithms connecting the past with the present civilisations, languages and events natural or artificial. Natural phenomena that changed the position of the ground as well as emerging or expelled civilisations and multilingualism are expressed through this functional concrete material that seems to have a perpetual function in time and space
The concrete material has been worked to create different paths, directions and lines The deconstruction of the structural material started by the removal of a piece in the middle of the front side which created two different parts each of which is traced a line that either embodies its materiality or traces a superficial track. It is an attempt of tracing the facts or incidents, a route of different directions, a line that doesn't have a particular start or end